Oz Magazine
Issue 12-5 (Ozcetera)
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Do Da Doppler

Doppler Studios in Atlanta has been busy (and all over the map, in terms of recording genre). Here are the stats:

R. Kelly and Lil Jon were each in Doppler's Studio E, producing vocals with artist Ciara for her upcoming debut on LaFace. Blake Eiseman and Alec Newell were engineers on the sessions, and Mac Atkisson assisted.

Epic rock quartet Incubus have an upcoming version of their platinum recording "A Crow Left of the Murder," which was mixed in 5.1 Surround Sound for release as an SACD (Super Audio CD) at Doppler by Nick Didia, assisted by Newell. Rapper Mase dropped in again to record the finishing touches on his new CD. Ralphy Boi Cacciurri engineered, with Mac Atkisson assisting on the session.

Singer/songwriter Holly Williams was at Doppler this spring recording overdubs for her upcoming release on Universal South, and like her grandfather Hank and father Hank Jr., this new artist is a talent to be reckoned with. The session in Studio A was produced by Monroe Jones, with Jim Dineen engineering and Mac Atkisson as assistant.

Maxi Priest was in town and needed to do a session for Virgin UK, so he came into Doppler and recorded his vocals, which were sent via ISDN simultaneously to a studio in New York.

Hip hop producer Swizz Beats was once again back at Doppler working with Yung Wun, tracking for an upcoming release on Full Surface Records.

Luther Barnes was in recording and mixing with engineer Steve Bracey for a new release on A.I.R., and Kevin Bond was in for several weeks working with Ralph C. on the New Birth Missionary Baptist Church CD.

Majestic Communications Group artists Howard "Slim" Hunt and George Dean were each in to mix their new video offerings. Jerry Peters produced both videos, which were mixed by Ralph C and Joe Neil, with assistance from Alec Newell.

And finally, the hip hop conglomerate known as Disturbing Tha Peace once again brought several acts in to work at Doppler: Shawnna was tracking for an Island Def Jam release with B. Crucial producing; Lil' Fate was in both Studios A and E; Keith McMasters was producing Chingy, and Norfclk were laying tracks and mixing. Big Juicy was at the board for these sessions, assisted by Mac Atkisson and Rick DeVarona.


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